Tag Archives: New York Landmarks Conservancy

LIC’s SculptureCenter to get excellence in preservation award for renovation, expansion

| aaltamirano@queenscourier.com

Images courtesy of Michael Moran

One Long Island City nonprofit is being recognized for its excellence in preserving a century-old building, home to a former trolley repair shop, and converting it into a large art institution with its recent renovation and expansion.

The SculptureCenter, located at 44-19 Purves St., has been chosen as one of nine winners of the 25th Lucy G. Moses Preservation Awards, which will hold a ceremony on April 30 in Brooklyn.

These awards, also called the “Preservation Oscars,” are known as the New York Landmarks Conservancy’s highest honors of excellence in preservation.

The Long Island City institution was chosen for its renovation of the original 1908 brick building, which it moved into in 2002, and a 2,000-square-foot expansion which complements the site. The project was designed by Andrew Berman Architect, who has also designed projects for The New York Public Library and MoMA PS1. 

“The Moses Awards celebrate terrific preservation projects. Several of this year’s award winners demonstrate how historic buildings can be adapted to meet contemporary needs and add economic vitality in neighborhoods across the city,” said Peg Breen, president of The New York Landmarks Conservancy.

The SculptureCenter’s addition, which maintains the steel and brick structure of the existing building, gives the location a street presence while also increasing gallery and programming space. The one-story building houses an entrance lobby providing guests with ticketing, orientation and services such as restroom facilities, a bookshop and various gallery spaces.

A new 1,500-square-foot enclosed courtyard was also created to be used for outdoor exhibitions and events. Some upgrades to electrical and mechanical systems and improvements in office and storage space were also made as part of the renovations.

“SculptureCenter is honored to receive this year’s Lucy G. Moses Preservation Award. Andrew Berman’s sensitive and thoughtful expansion and renovation honors the dramatic steel and brick structure of the existing building while creating a stronger street presence as well as generously proportioned new spaces for the production and display of sculpture,” said Mary Ceruti, executive director and chief curator at SculptureCenter. “As the neighborhood becomes populated with more glass and steel, we felt it was important to preserve some of its industrial history.”


Historic Queens church gets grant

By Queens Courier Staff | editorial@queenscourier.com

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The New York Landmarks Conservancy has announced 23 Sacred Sites Grants totaling $294,500 awarded to historic religious properties throughout New York State, including St. George’s Church in Flushing.

“You don’t have to be religious to understand that religious institutions contain some of our finest art and architecture. Many also provide vital social service programs and cultural activities that make significant contributions to their communities,” said Peg Breen, president of The New York Landmarks Conservancy.

St. George’s Church was pledged a $25,000 Robert W. Wilson Sacred Sites Challenge Grant for additional masonry on a wood steeple and spire restoration project atop the stone tower. The steeple was destroyed during a tornado in 2010 that touched down in Queens and Brooklyn.

Prominently sited on Main Street in the heart of downtown Flushing, St. George’s Episcopal Church is a notable example of Gothic Revival design and was designated a New York City landmark in 2001. Erected in 1853-54, to the designs of Wills & Dudley, this building is constructed of broken-range ashlar-faced granite with brownstone trim. This is the congregation’s third church building on the site since 1746. The church is a rare surviving work in New York City by Wills & Dudley. In 1894, J. King James designed a very contextual chancel wing that matches the vocabulary of the sanctuary. The interior is largely intact and contains exceptional stained glass windows.

A tornado in September 2010 destroyed the wood-frame steeple atop the stone bell tower. Since then, the Conservancy provided an emergency grant to help support stabilization and temporary repairs to and protection for the tower and church interior while the congregation mobilized to restore the wood spire.

The church worked with former Flushing resident and preservation architect Kai Woo to develop the second phase of the project: spire restoration. The temporary repairs allowed time for the church to investigate the condition of the masonry and other tower details below the steeple. After realizing that it, too, will require restoration, church leadership decided to take advantage of the scaffolding in place for the tower work. While the spire restoration will be covered by an insurance settlement, the masonry restoration will not.

The non-covered work includes restoring the brownstone trim and details with composite patching; restoring wood louvers or shutters on the tower with composite and Dutchman patching, and repairing window tracery.

The Landmarks Preservation Commission is also requiring that the project restore four “finials” originally located on the four corners of the stone tower but which were long-ago lost. This portion of the project is also not covered by insurance. Using historic photographs as evidence, the spires will be recreated. Kai’s design allows for the new spire to be pre-fabricated off-site in stages to address the logistical difficulties of the long-term parking of a crane on Flushing’s densely populated Main Street.


Two Queens locations to get ‘Preservation Oscars’

By Queens Courier Staff | editorial@queenscourier.com

Queens 1

The New York Landmarks Conservancy has announced the winners of the 22nd Lucy G. Moses Preservation Awards. Newtown High School in Elmhurst and the TWA Terminal at JFK International Airport are two of the recipients that will be recognized at an April 25 ceremony at the New York Historical Society, also one of the award winners.

The coveted awards, called the “Preservation Oscars,” are named after dedicated New Yorker Lucy G. Moses. They recognize individual leadership and outstanding preservation work. This work provides jobs, promotes tourism, maintains beloved institutions and protects the character of the city.

“The awards are a celebration of outstanding restoration projects throughout the city as well as some extraordinary individuals,” said Peg Breen, President of The New York Landmarks Conservancy. “The awards are a perfect reminder that preservation creates local jobs and encourages tourism. It’s a joyous evening as we salute great work and great people.”

Newtown High School, in Elmhurst, is one of Queens’ most prominent buildings. The school has been in operation at its current location for over 100 years and occupies an entire city block. The oldest extant portions date to 1921, designed by famed Superintendent of School Buildings C.B.J. Snyder in a Flemish Renaissance Revival style. Snyder’s choice of this style demonstrated his awareness of New York’s, and particularly Elmhurst’s, beginnings as a Dutch colony. Of Snyder’s 400 school designs, it is one of the few in this style, and it was designated a city landmark in 2003.

Snyder’s design features a dramatic 169-foot tower that is visible throughout the neighborhood and gives the school its slogan – “We Tower Above the Rest.” On the tower, deteriorated turrets were rebuilt to match original brick and terra cotta. Copper on the new turret roof now matches the main cupola.

Polychromatic murals were restored with new terra cotta, which involved an extensive color matching process, unit replacement, cleaning, patching and re-glazing by an artist. The roof was repaired and masonry restored. Façade work included masonry repointing and lintel reconstruction. Failed graffiti prevention pigments were removed and the walls were restored to their original colors. Graffiti remnants were erased and up-to-date treatments were applied to prevent future abuse. The 2011 renovation was completed under the auspices of the NYC School Construction Authority.

Eero Saarinen’s TWA Terminal at JFK International Airport has been an icon of modern architecture since it opened in 1962. While the Terminal was an experiment in aviation technology, incorporating the first use of jetways and baggage carousels, the building itself is a structural marvel – four concrete lobes are in perfect balance, supported by only four piers.

The airline industry quickly outpaced the unique Saarinen design. To accommodate demands of capacity, security, accessibility and passenger amenity, the terminal underwent unsympathetic alterations and additions. During the 1990s, TWA was not able to maintain the building, and it was closed.

In 2002, the Port Authority of New York and New Jersey undertook a program to stabilize and secure the building. The restoration started with archival investigations, interviews with surviving design team members and materials analysis. The terminal was listed on the National Register of Historic Places and documentation completed prior to construction.

Improvements to the exterior included removal of inappropriate additions, repairs to concrete, and the replacement of asbestos-containing material with a new acoustic coating. The failing curtain wall was restored, with the gasket system replaced, and an unsightly purple solar film removed. The original manufacturer in Michigan provided new glazing. Skylights that separate the four concrete shells and have leaked since the 1960s were also replaced.

The public areas were restored, incorporating life and fire safety improvements, so the terminal may re-open to the public for a passage to the JetBlue terminal and for special events. On the interior, the sunken seating area was restructured and new banquettes and benches installed. Enhanced lighting dramatically illuminates the interior. A new accessibility lift, emergency lighting, fire alarms and a smoke detection system were incorporated into the restoration. Finally, the original “Solari” information boards were redesigned with LCD technology and reactivated. The most challenging part of the project was the restoration of the ubiquitous “penny tile” interior finish. Once sourced, over three million pieces were produced for use in this project and to have on hand for future restoration.